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Fall 2008 Courses

click here for PDF of ALL USM classes

Communication and Media Studies Classes for Fall 2008

CMS 102J Intro to Communication, LEC 20769 T/TH 2:00-3:15 p.m. Bailey 215, Gorham, Julie Zink


CMS 102J Intro to Communication, LEC 37766 M 1:15-3:45 p.m. LBA, Portland, Erika Anderson


CMS 102J Intro to Communication, LEC 30414, T 10:00-12:30 p.m. Saco Center, Katharine Slack


CMS 103 Intro to Media Studies, LEC 20775, T/TH 12:30 -1:45 p.m.  Classroom:TBA, Gorham, Rebecca Bryant Lockridge


CMS 103 Intro to Media Studies, LEC 20777, T/TH 8:45-10:00a.m. Luther Bonney  510, Portland, Daniel Panici


CMS 103 Intro to Media Studies, LEC 30415, W 10:00-12:30 p.m. Saco Center, Maureen Ebben


CMS 130J Interpersonal Communication Skills, LEC 20789, TH 10:00-12:30 p.m. Bath, Katharine Slack


CMS 130J Interpersonal Communication Skills, LEC 20791, TH 10:00-12:30 p.m. Saco, Katharine Slack


CMS 150W The Writing Process, LEC 23167, T/TH 12:30-1:45 p.m. Bailey 402, Gorham, Dennis Gilbert


CMS 200 Research Methods in Communication, LEC 20779, MW 8:45-10:00 a.m. PaysonSmith 202, Portland, Daniel Panici


CMS 200 Research Methods in Communication, LEC 30416, T 4:10-6:40 p.m. Classroom TBA, Gorham, Rebecca Bryant Lockridge


CMS 200
Research Methods in Communication, LEC 30417, TH 7-9:30 p.m. Classroom TBA, Portland, Matthew Killmeier


CMS 200 Research Methods in Communication, LEC 32275, W 10:00-12:30 p.m. Saco Center


CMS 205 Topics in Media Writing I: Writing for Popular Print Media, M W 10:15-11:30 a.m., LEC 30816, Luther Bonney 208, Portland, Dennis Gilbert


CMS 205 Topics in Media Writing I: Newspaper Reporting & Writing, W 4:10-6:40 p.m.., LEC 32276 Classroom TBA, Portland, Ken Brief


CMS 220 Topics in Media Production I: Audio Production, LEC 30818, M 9-Noon,  92 Bedford St., Portland, Rob Rosenthal


CMS 225 Screenwriting I THUR, LEC 23175, 4:10-6:40 p.m. Payson Smith #1, Portland, Daniel Chaimowitz


CMS 272 Persuasion, Online, 30822, Erika Anderson  (This class only meets ‘on-line.’)


CMS 272 Persuasion, Monday 4:10-6:40, 37767, Erika Anderson Portland


CMS 274 Writing for the Media, T/TH 11:45-1:00 p.m., LEC 20797, Paysom Smith 206, Portland, David Pierson


CMS 284 Film Appreciation, T 1:15-3:45 p.m., LEC 30811, Luther Bonney Auditorium, Portland, Matthew Killmeier


CMS 299 Communication and Gender T/TH, 11:00-2:15 p.m., LEC 30814, Bailey 312, Gorham, Maureen Ebben


CMS 299 Intercultural Communication, LEC 30824.  “On-line” This course meets ‘on-line only.’ Julie Zink


CMS 299 Topics in COM/MES Studies: Japanese Film and Society, F 4:10-6:40 p.m., LEC 37765, Classroom TBA, Portland, Naomi Chiba

Click here for course description of Japanese Film and Society

The course facilitates sociological interpretation and critical reflection on Japanese society through films. It focuses on how social forces affect individual consciousness, behavior, and patterns of thought. The films represent: society, collective frameworks, normative mores, and historical change. The works of Kurosawa, Ozu, and anime films are featured.


CMS 300 Topics in Media Writing II: Storytelling: Words and Image, T/TH 2:00-3:15 p.m., LEC 32273, Bailey 108, Gorham, Dennis Gilbert


CMS 305 Writing Opinion: Editorials & Columns, T/TH 10:15-11:30 a.m., LEC 23183, Luther Bonney 208,  Portland, Matthew Killmeier


CMS 310 Topics in Media Criticism II:
Media Issues & Activism, TH 7:00-9:30 p.m., LEC 30451,  Classroom TBA, Portland, Daniel Panici

Click Here for Media Issues and Activism Course Description
Media Issues and Activism: By utilizing fiction and nonfiction films, along with selected readings, this course will examine a number of media issues including: propaganda, privacy, sexual content of media, government control of media, censorship, and mediated violence. Students are required to complete a number of application projects related to the issues. We will also discuss how we can influence media organizations and media content through media activism.


CMS 320 Topics in Media Production II: Producing the Documentary, M, 4:10-6:40 p.m. LEC 30819 Payson Smith 301, Portland, Kate Kaminski


CMS 320 Topics in Media Production II: Compositing and Special Effects, W 5:00-7:15 p.m. LEC 32274, High Street 68, Portland, David Poole

Click Here for Compositing and Special Effects Course Description
Students will learn to use the animation and compositing aspects of Final Cut Pro. Using video clips as well as elements created in both Photoshop and Final Cut, we'll explore the various ways to combine and composite layers of video. This class will cover alpha channel compositing, chroma keying and other compositing methods. Other topics will include using filters and plugins for a variety of effects, and we'll look at other tools for compositing and video effects, including After Effects, Livetype for titling sequences, and Motion. Students should already posses basic knowledge of Final Cut Pro and Photoshop. Prerequisite is CMS/MES 340 Field Video Production.

CMS 332 Communication in the Family, W, 7-9:30 p.m. 30450, Portland Room tba, Maureen Ebben


CMS 340 Field Video Production, M 10: 15-11:45 a.m., LEC 23189, Payson Smith 43, Portland, David Pierson


CMS 341 Video Field Production Lab, T 1:15-3:30 p.m., LAB 23191, High Street 68, Portland, Nat Ives


CMS 341 Video Field Production Lab, W 1:15-3:30 p.m., LAB 23193, High Street 68, Portland, Nat Ives


CMS 341 Video Field Production Lab, TH 1:15-3:30 p.m., LAB 23195, High Street 68, Portland, Nat Ives


CMS 345 Small Group Communication, T 4:10-6:40 p.m., LEC 20811, Luther Bonney 502, Portland, Russell Kivatisky


CMS 374 Media Criticism & Aesthetics, T/TH 2:00-3:15 p.m., LEC 30898, Classroom TBA, Gorham, Maureen Ebben


CMS 380 Film Genres: The Road Film, T 4:10-6:40 p.m., LEC 23197, Masterton 113,  Portland, David Pierson

Click here for The Road Film course description
This course examines the transgeneric American road film genre. The road film crosses several generic boundaries (musical, comedy, outlaw couple, film noir) and encompasses such diverse films as It Happened One Night, Sullivan’s Travel, Detour, Bonnie & Clyde, Easy Rider, Vanishing Point, and Thelma & Louise.  We’ll screen and discuss these films along with others. Ultimately, we’ll analyze how the road and its inhabitants serve as central metaphors for critiquing and commenting on our changing American society and culture. 


CMS 380 Film Genres: American Independent Film, TH 4:10-6:40 p.m., LEC 23199, Luther Bonney Auditorium, Portland, Kate Kaminski

Click here for American Independent Film course description
In this class, students are encouraged to expand their understanding of what constitutes independent film, to explore new capacities of responsiveness to film as art, and to increase their knowledge of the past and present American independent film movement. In addition, students learn new modes of perception in film viewing and seek to acquire the skill set necessary to respond with complexity (in writing and in discussion) about screened films and assigned readings.


CMS 390 Theories of Organization Communication, W 4:10-6:40 p.m. LEC LEC 20819, Luther Bonney 502,  Portland, Russell Kivatisky


(MES Majors) CMS 400 Senior Project, T/TH 10:15-11:30 a.m., LEC 23201, Payson Smith 303, Portland, Daniel Panici


CMS 486 Women in Film, W 4:10-6:40 p.m., LEC 20827, Payson Smith 301A, Portland, Rebecca Bryant Lockridge


(COM Majors) CMS 495 Theories of Communication, TH 4:10-6:40 p.m., LEC 20831, Luther Bonney 310, Portland, Russell Kivatisky


Internships:
(COM Majors) CMS 430 Communication Internship, (variable credits and meeting times), RSG 20825,   Fri 8:45—11:00 a.m., Luther Bonney 208, Portland, Russell Kivatisky


(MES Majors) CMS 492 Internship in Media Studies, (variable credits and meeting times), RSG 23203, Fri 1:00—3:00 p.m., Luther Bonney 208, Dennis Gilbert

 

 

 

 

 

 

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