Mexico was especially torn by the loss in 1848 — after the Mexican-American War — of almost half its territory to its northern neighbor, the U.S.A. One result was a new government initiative to map the country, successfully completed by the young García Cubas. The general map of the country that began his 1858 atlas of the state followed the same strategy as Codazzi (item 33) in depicting pre-Columbian temples with modern landscapes as a means to wed the past to the present in an authentic national tradition.
García Cubas’ Atlas de la Republica Mexicana (1858), with his Carta general de la Republica Mexicana, can be consulted at David Rumsey’s online map collection. They are analyzed by Raymond B. Craib, Cartographic Mexico: A History of State Fixations and Fugitive Landscapes (Durham, N.C.: Duke University Press, 2004), 11-53.
García Cubas continued to map Mexico. In particular, his Atlas pintoresco e historico was a highly polished presentation of the character of the state defined through a variety of statistics graphically presented in beautiful thematic maps. The atlas quickly reveals that its intended audience was Mexico’s elites. The imagery on the ethnographic map treated the “white race” respectfully by contrast to the more intrusive images of indigenous peoples. Again, on the map dedicated to education (shown here on the left), a host of portraits — almost entirely of white men — pay homage to Mexico’s literate society, while the color scheme of the map itself parallels the color hierarchy of Mexican society by displaying literacy rates from high (in white) to low (in brown). |