Elisabeth Marshall, soprano, trained at the Indiana University Jacobs School of Music, earning Master of Music and Doctorate of Music degrees in Voice Performance. In 2006 she was awarded a Fulbright grant to study voice at the Hochschule für Musik und Theater “Felix Mendelssohn-Bartholdy”, in Leipzig, Germany. Within a wide range of concert and operatic works as a soloist or in ensemble, Ms. Marshall has sung under conductors such as Helmuth Rilling, Matthew Halls, Raymond Leppard, Constantine Kitsopoulos, and Leonard Slatkin. She has been a featured guest soloist with the Cincinnati Symphony, Windsor (Ontario) Symphony, Carmel Bach Festival, Indianapolis Symphony, Columbus Symphony, and Bangor Symphony, in works such as Handel's Messiah, Pergolesi's Stabat mater, Monteverdi's Vespers, Bach's B minor Mass, Beethoven's Chorale Fantasie, Fauré's Requiem, and Bernstein's Chichester Psalms. Other concert works as soloist include Haydn’s Die Jahreszeiten and Lord Nelson Mass, Mozart’s Mass in C minor, Coronation Mass, and Brahms’ Ein deutsches Requiem. Opera roles include Queen of the Night and First Lady in The Magic Flute, Rosalinde in Die Fledermaus, Rosabella in The Most Happy Fella opposite Metropolitan Opera baritone Timothy Noble, Elisetta in Il matrimonio segreto, Susanna in The Marriage of Figaro, and Lauretta in Bizet’s Dr. Miracle. A passionate learner and collaborator, she has participated in workshops, master classes, and coachings with such prominent music professionals as Håkan Hagagård, Roger Vignoles, Bruno Weil, and Ned Rorem. Engagements for 2014 as soprano soloist include Mozart’s C minor Mass with the South Hadley (MA) Chorale, and the Maine Music Society, Bach's B minor Mass with Chorus Pro Musica in Boston, as well as ensemble with the Oregon Bach Festival.