WILLIAM KILROY
Department of Theatre
37 College Avenue
University of Southern Maine
Gorham, ME 04038
(207) 780-5394
Kilroy@usm.maine.edu
http://www.usm.maine.edu/theater

 
 

 
EDUCATION
  • M.F.A. Acting - University of Illinois at Champaign-Urbana, 1985
  • B.F.A. Acting, with Distinction - University of Rhode Island, 1981
  • The National Shakespeare Conservatory, New York
  • The Michael Chekhov Studio, New York
  • The Michael Chekhov Drama Group, Los Angeles
  • Herbert Berghoff Studio, New York
  • Weist-Barron Television/Film School, New York
  • Bob Collier's Commercial Technique, New York
  • The Hollywood Directors Lab, Los Angeles
  • Screen Actors Guild Conservatory, New York and Los Angeles
  • The Feldenkrais Method of Movement Awareness, U.C.L.A.
  • The Gascon Academy of Theatrical Combat, Los Angeles
  • The International Readers Theatre Institute, London
MASTER CLASSES
Voice:
Acting:
Directing:
Stage Combat:
Kristen Linklater, Cicely Berry, Arthur Lessac, Roy Hart Theatre
Uta Hagen, Augusto Boal
Gerald Freedman
David Leong, J. Allen Suddeth, Steve Vaughn
 
AWARDS AND HONORS
  • National Committee Member, Kennedy Center's ACTF, 2002-Present
  • Founding Partner, The National Michael Chekhov Association, 2002
  • Theatre Exchange Artist, USM/Aegean Cultural Exchange, Greece, 2001
  • Recipient, Kennedy Center Medallion for Service and Leadership, 2001
  • Judge, Irene Ryan Acting Scholarships, KCACTF, California, 2001
  • Judge, Irene Ryan Acting Scholarships, KCACTF, North Carolina, 2000
  • Director, Purple Breasts, winner of the Moss Hart Award, 1996
  • Director, Purple Breasts, chosen for performance in Washington, D.C. for the National Breast Cancer Coalition Conference, 1996
  • Director, Purple Breasts, American College Theatre Festival regional competitor, 1996
  • Grant Recipient, Maine Medical Center, Purple Breasts, 1996
  • Recipient of the College of Arts and Sciences Outstanding Teacher/Scholar Award/University of Southern Maine, 1995
  • Grant Recipient, Maine Arts Commission, Utilizing Drama in the Classroom, 1995
  • Director of Everything Sprite, chosen for performance at The Village Gate Theater, New York, 1993; American Collge Theatre Festival regional competitor, 1991
  • Faculty Acting Scholarship, Kennedy Center, 1993
  • Grant Recipient, Maine Arts Commission, Continuing Education for Secondary Teachers: The Michael Chekhov Technique, 1993
  • Director, A Midsummer Night's Dream, American College Theatre Festival regional competitor, 1992
  • Certified in Stage Combat by the Society of American Fight Directors, 1985
  • Original cast member of Kabuki Medea by Shozo Sato, winner of Chicago's Jefferson Award, 1984
  • Dean's List, University of Rhode Island, 1980-81
  • Honors Colloguium, Oral Interpretation, University of Rhode Island, 1981
 
TEACHING EXPERIENCE
1991 - Present
UNIVERSITY OF SOUTHERN MAINE
  Associate Professor of Theatre
  Advanced Acting, IV - Intensive study and practice of methods employed by Stanislavski, Strasberg, Meisner, Hagen and Boal.

Acting Performance - A condensed overview of acting technique, including movement, voice, improvisation, play analysis and scene study.

Acting I - Stage Movement - Awareness of the body as a creative instrument is emphasized through the use of Tai Chi, Yoga, Feldenkrais, Michael Chekhov techniques, clowning, stage combat and improvisation.

Acting II - Stage Voice - A variety of training methods (Linklater, Lessac, Berry) are used in order to develop a strong, flexible, articulate, resonant, responsive voice for the actor and all students wishing to enhance their vocal presentation.

Acting III - Acting Technique and Scene Study - Acting exercises based on the techniques of Stanislavski, Strasberg and Meisner are combined with coached presentations of contemporary theatre scenes and monologues.

Acting V - Shakespeare and Period Styles - Advanced movement and voice training within the styles demanded by period plays, from Greek to Absurdist, culminating in the performance of scenes and monologues from each genre.

Professional Auditioning and Marketing Techniques - In addition to the simulation of diverse audition situations, students are provided with information which is vital to securing professional work, including advice on resumes, agents, unions, and opportunities in New York, Los Angeles and regional theatres.

Life Imitates Art: Understanding Human Behaviour - an interdisciplinary, team-taught course which focuses on common threads in the fields of theatre and psychology and their application to the self, emotion and communication.

The Techniques of Michael Chekhov - Team-taught as a summer intensive with guest actor/teachers from the Michael Chekhov Drama Group of Los Angeles - Lisa Dalton and Mala Powers (executrix of the M. Chekhov estate). This course features the methods of Michael Chekhov and culminates with a public works-in-progress performance.

Creative Drama - This course introduces methods of teaching drama, particularly to primary through secondary school students, wth an emphasis upon linking theatre activities with the rest of the curriculum. The course includes on-site teaching practice at a variety of local schools.

British Tour - Advanced acting students develop an original performance piece via research, improvisation and scripting which tours to King Alfred's College, Winchester, England, as part of a long-standing exchange program.

Topics in Acting and Performance - This advanced theatre course provides the opportunity to teach diverse material. Current topic: The application of Michael Chekhov's acting techniques to scenes and monologues.

Acting for Young Adults - Teach and supervise classes for grades 7 - 12 in a summer residence program on the University of Southern Maine Gorham campus.

 
1990-1991
SANTA MONICA COLLEGE, CA
  Acting I - Fundamental actor training, based on Charles McGaw's Acting is Believing.

Stage Movement for the Actor - A participatory course introducing a variety of movement skills: body alignment and centering, Yoga, Tai Chi, tumbling and clowning, use of masks, period sytles and stage combat.

 
1990-1991
THE MICHAEL CHEKHOV DRAMA GROUP, CA
  Voice and Diction - Instructor for workshop utilizing Linklater and Lessac techniques to build skills in voice procution and articulation, with particular regards to character development. Acting Technique - Associate instructor for class emphasizing the methods of Michael Chekhov.
 
1986-1991
PRIVATE ACTING COACH, New York and Los Angeles
  Monologues, scenes, auditions, voice and diction.
 
1982-1985
UNIVERSITY OF ILLINOIS AT CHAMPAIGN-URBANA
  Fundamentals of Acting - Created and implemented curriculum consisting of voice, movement, acting exercises and scene study.

Improvisation - Curriculum based on Viola Spolin's work, culminating in an original performance.

Relationships in Acting - Curriculum based on Uta Hagen's Respect of Acting, culminating in performance of one-act plays.

 
1982-1985
THE SHAWNEE SUMMER THEATRE, Bloomfield, IN
  Created and implemented daily voice and movement class for acting company and performance classes for apprentices. Advisor for children's acting workshop, culminating in performances of Peter Pan and Toby Tyler.
 
DIRECTING EXPERIENCE
1991- Present
UNIVERSITY OF SOUTHERN MAINE
  Cabaret
Into the Woods
The Baltimore Waltz
West Side Story
The Boys Next Door
As Is
Purple Breasts
American Journeys
Pippin
Summer and Smoke
Moving Ideas
(Choreographer)
Cinderella
Rumplestiltskin
A Midsummer Night's Dream
Come Back to the Five & Dime Jimmy Dean, Jimmy Dean
Everything Sprite
USM Dance Festival
(Choreographer)
Die Fledermaus (Choreographer)
 
1998
AMERICAN COLLEGE THEATRE FESTIVAL, Orange, CA
  Choices, 1998
 
1998
PARADISE PRODUCTIONS, Livingston, MT
  Purple Breasts, 1998
 
1998
RENEGADE PRODUCTIONS, Windham, ME
  Tammy and Billy-Bob's Wedding, 1998
 
1993-1997 SHENANIGAN'S THEATRE COMPANY, Ogunquit, ME

Tony 'N Tina's Wedding, 1997
Psycho Beach Party, 1996
Early One Evening at the Rainbow Bar and Grille,
1995
A Girl's Guide to Chaos,
1994
Graceland,
1993
 
1996-1997 SCHOOLHOUSE ARTS CENTER
  Mame, 1997
Joseph and the Amazing Technicolor Dreamcoat,
1996
 
1994 THE PLAYERS RING, Portsmouth, NH
  The Lucky Spot, 1994
 
1993 OAK STREET THEATRE, Portland, ME
  Blood and Ice, 1994
 
1993 PORTLAND PLAYERS, South Portland, ME
  Scrooge!, 1993
The Musical Comedy Murders of 1940,
1993
 
1989-1992 THE STRAWFLOWER THEATRE, Winslow, ME
  ARTISTIC DIRECTOR - Coordinated all aspects of production:
Auditioned and hired actors and staff
Assisted with promotions, set-lighting-costume dsigns
Supervised local children's workshop, culminating in mainstage performances

STAGE DIRECTED FOR:
Little Shop of Horrors
Snoopy!
Annie
Ten Nights in a Barroom
The Best Little Whorehouse in Texas
Bye-Bye Birdie
Nunsense
You're a Good Man, Charlie Brown
 
1991 MUSIC THEATRE NORTH, Potsdam, NY
  Spirits Rise, 1991 - Original musical developed through improvisation and research.
 
1991 THE YES CABARET THEATRE, Los Angeles, CA
  Moonchildren, 1991
 
1990 THE ROSE THEATRE, Venice, CA
  Look Back in Anger, 1990
 
1988 THE WESTIN THEATRE, Westerly, RI
  Journey to Endor, 1988- Premiere production, assisted writer in development of script during rehearsals.
 
1983-1985 THE ARMORY THEATRE, University of Illinois
  No Exit
The Effect of Gamma-Rays on Man-in-the-Moon Marigolds
Birdbath
Hot L Baltimore
 
1983-1985 THE SHAWNEE SUMMER THEATRE, Bloomfield, IN
  The Robin Hood Caper - Opening for 25th anniversary season
Peter Pan
Toby Tyler
 
REPRESENTATIVE PERFORMANCE WORK (Full list upon request)
STAGE
Hucklebee
Michael
Bruce
DiMaggio
Patrick
Felix
Whitney
Tom/Jerry
Snout
Laertes
Comic Fish
Mordred
Dr. Coppelius
The Fantasticks
Tony 'N Tina's Wedding
Beyond Therapy
Insignificance
Hotel Universe
Enroute
Stonewater Rapture
Pulp Alley
Midsummer
Hamlet
Kabuki Medea
Camelot
Coppelia
Maine Play Productions
Shenanigan's Productions, Maine
Vintage Repertory, Co., Maine
Mad Horse Theatre, Maine
Shepard Theatre, Los Angeles
Chekhov Drama Group, U.S.A.
Los Angeles Fringe Theatre
West Bank Theatre, New York
New York Theatre Ensemble
Illinois Repertory
Florida State Tour
Waterville Opera House, Maine
State Ballet of Rhode Island
 
FILM AND TELEVISION
  Crossing Delancey
Shakedown
Cookie
All My Children
As the World Turns
Babylon 5
 
PROFESSIONAL EXPERIENCE
  KING ALFRED'S EXCHANGE PROGRAM
  Presenter - Various Workshops, 1995
Director - Touring Production, 1994
Host - Touring Production, 1993
  NEW ENGLAND THEATRE CONFERENCE
  Presenter - Acting and Characterization, 2002
Presenter -
"What's My Motivation", 1997
Co-chair - Convention '95 - "Share the Wealth: The Richness of Live Theatre"
Presenter - "Chekhov's Techniques for Auditions and Rehearsal", 1994
Presenter - "Art, Music, Dance: Springboards to Characterizations", 1993
Presenter - "The Techniques of Michael Chekhov", 1992
  ASSOCIATION FOR THEATRE IN HIGHER EDUCATION
  Actor - Adaptation of Silent Spring, 2002
Actor - China Doll, Chicago, 2001
Presenter - Stage Movement, 'Warm-ups', 2000-2001
Actor - New Play Development, 1999-2000
Presenter - "Techniques of Michael Chekhov", 1998
Actor - New Play Development Workshop, 1998
Regional Representative - Association of Theatre Movement Educators, 1998-1999
Actor - New Play Developement Workshop, 1997
Director - New Play Developement Workshop, 1996
Director - New Play Developement Workshop, 1995
Actor - New Play Developement Workshop, 1994
Presenter - "Exploring the Techniques of Michael Chekhov" with Mala Powers and Lisa Dalton, 1993
Actor - The Brothers Silence, 1993
Presenter - Characterization Through Portrait Art, 1992
Director - New Play Development Workshop, 1992
Actor - New Play Developement Workshop, 1991
  AMERICAN COLLEGE THEATRE FESTIVAL
  Respondent Workshop Leader, 2002-Present
Workshop Coordinator, 2002-Present
Chair, 1999-2001
Vice Chair, 1997-1998
Audition Coordinator - Irene Ryan Scholarships, 1995-Present
Executive Committee Member, 1995-Present
Adjudicator (Respondent) - New England Region, 1994-Present
  MAINE ALLIANCE FOR ARTS EDUCATION
  Member, 1995-1999
Chair - "Spring Performance Festival", 1996
Fundraising Committee Member, 1996
  PORTLAND PLAYERS THEATRE
  Chair - Nominations Committee, 1996
Board of Trustees Member, 1995-1997
Chair - Outreach Committee, 1995-1997
  MAINE DRAMA COUNCIL
  Judge - Regional Drama Festival, 1997
Judge - Regional Drama Festival, 1996
Presenter - Audition Techniques, 1996
Judge - Regional Drama Festival, 1994
Judge - State Drama Festival, 1993
Judge - Regional Drama Festival, 1992
Presenter - Techniques for Performance, 1992
  THORNTON ACADEMY
  Presenter - "Stage Combat Technique", 1996
  BEECHWOOD THEATRE COMPANY
  Presenter - "Characterization through Voice and Movement", 1991
 
RELATED EMPLOYMENT
  International Raquetball & Fitness Center - Certified Fitness Instructor and Nautilus weight trainer, 1997- Present
The National Shakespeare Conservatory, New York, 1988-91
United Features, New York - Emcee for national promotional tour featuring "Snoopy", 1988
Mallory Factory, New York - Performer in a variety of live publicity campaigns, 1987
Apple Health Spa, New York - Fitness Instructor, 1986
 
OTHER SKILLS
  Yoga, Tai Chi, Dance, Singing (Baritone), Certified Fitness Instructor (Aerobics/Nautilus), Certified Lifesaver, Stage Combat
 
PROFESSIONAL MEMBERSHIPS
  Actors Equity Association
Screen Actors Guild
American Federation of Television and Radio Artists
Association for Theatre in Higher Education
New England Theatre Conference
Voice and Speech Trainers Association
National Movement Theatre Association
Association of Theatre Movement Educators
Stage Directors and Choreographers Foundation