This exciting, yet demanding, nine-day program gives high school musicians the opportunity for musical development through intensive group and individualized instruction provided by qualified staff and professional musicians. All academy members will participate in concert band, instrument sectionals and small ensembles daily. Students may also audition for jazz band. Academy members will enjoy free concerts performed by professional musicians and nonmusical recreational activities.
The Southern Maine Music Academy (SoMMA) has an established reputation as one of New England's premier summer instrumental music camps.
Applicants should play one or more of the following instruments:
double bass *
drum set *
* guitarists, pianists and bass players should also play a wind or percussion instrument. Guitar, piano and bass is available in the Jazz Band portion of the Academy and auditions will be held for those instruments.
Instrumentation is limited, so placement will be made on a first-come, first-served basis.
Online registration form opens on February 1 at 9 a.m.
A registration confirmation will be sent via e-mail along with required camper forms (medical, parental consent, and policies) in PDF format.
A refund (of all but the $100 non-refundable deposit) will be issued if notice of cancellation is given at least two weeks prior to the start of camp. If a cancellation occurs within the two weeks prior to the start of camp no refund will be issued unless there is a documented extraordinary circumstance.
USM is not able to offer scholarships but will accept scholarships and grants from outside vendors. Please enclose verification of a scholarship with your registration. If the scholarship covers the full amount of the camp, a deposit along with verification is still required with registration. Once full payment is received, the deposit will be refunded.
MISSING KEYS/CARD FEES
Due to new safety regulations, there will be a charge for a missing key/card. The charge for a missing key is $120 and a missing card is $30.00.
USM uses e-mail as its number one mode of communication. Therefore, please provide a working parental e-mail address. If the e-mail address changes after the initial registration, please update us so that we can continue to provide you with academy information. If our e-mail communications are not received, please contact us immediately.
Academy forms (medical, parental consent, and policies form) will be e-mailed upon receipt of registration and deposit or payment in full. The forms need to be completed and returned no later than 30 days prior to camp to guarantee a slot on the camp roster.
Program information will be e-mailed approximately one month prior to the start of camp. This will include a daily schedule, list of items, directions, check-in & check-out times, etc.
All Academies are held on the University of Southern Maine, Gorham campus. For residential programs, participants will be housed in one of USM's Residence Halls. For directions, please click here.
Roommate requests should be made on the initial registration form, as much as possible.
Please indicate if there are any special services, assistance, or accommodations needed to participate fully in this program. Requests for reasonable accommodations and/or special dietary needs must be received as soon as possible and no later than one week prior to the start of the Academy.
For under $85 a day, your child will receive a valuable musical experience AND friends/memories to last a lifetime!
The Academy offers two package options for participants:
The resident package includes nine days of daily music instruction, housing, activities (including entrance to Sebago Lake State Park for Beach Day), all meals each day (breakfast, lunch and dinner), and a camp T-shirt. Admission for all family and friends at the final concert is free.
The cost for 2018 is $740 (2019 fees TBD).
A recording of the final concert which includes the digital camp book is available for an additional cost at Concert Recording Company, www.concertrecordingcompany.com/somma.
The commuter program provides nine days of daily music instruction, activities (including entrance to Sebago Lake State Park for Beach Day), lunch and dinner in the cafeteria, and a camp T-shirt. Admission for all family and friends at the final concert is free.
The cost for 2018 is $640 (2019 fees TBD).
A recording of the final concert which includes the digital camp book is available for an additional cost is available at Concert Recording Company, www.concertrecordingcompany.com/somma.
Optional: Private Lessons:
Optional private lessons are available for an additional charge of $40.00 per hour. Separate checks should be made out directly to the faculty member responsible for the lessons. Lessons should be requested prior to the start of the academy.
The University of Southern Maine hires approximately 1 staff member for every 8 participants each year. Staff members are certified music teachers, School of Music faculty, or USM music education alumni.
The University of Southern Maine makes such inquiries as may be necessary to arrive at an appropriate employment decision. All hires are subject to reference checks, criminal history checks, and related matters to comply with legal requirements and public responsibility.
SoMMA Concert Band Conductor
USM Assistant Professor of Music, Concert Band and Wind Ensemble Director
Dr. Jackie Townsend joins the faculty at the University of Southern Maine as the director of bands, conducting the University Wind Ensemble and University Concert Band, as well as teaching courses in instrumental music education and instrumental conducting. She recently graduated from the University of North Texas (Denton, Texas), where she received her Doctor of Musical Arts degree in wind conducting and studied with Eugene Migliaro Corporon, Dennis Fisher, and Nicholas Enrico Williams. As a conducting teaching fellow at UNT, Jackie was responsible for directing the UNT Concert and University Bands, as well as guest directing the UNT Brass Band, Wind Ensemble, Symphonic Band, and the North Texas Wind Symphony. She also taught undergraduate conducting courses and maintained the UNT Wind Studies music library. From 2015-2018, Dr. Townsend served as the assistant conductor of the Lone Star Wind Orchestra, a professional group made up of musicians from the Dallas/Fort Worth metroplex.
Prior to her studies in Texas, Jackie spent four years as director of bands at Keystone High School in LaGrange, Ohio, where she directed the high school concert band, marching band, and jazz band, as well as the 8th grade concert band. Under her direction, the Keystone Bands earned top ratings at Ohio Music Education Association adjudicated events and were also invited to perform in Nashville and Memphis, Tennessee, as well as Toronto, Canada. Dr. Townsend holds both Bachelor and Master of Music Education degrees from Bowling Green State University (Bowling Green, Ohio). After teaching elementary band for one year in Oneonta, New York, Jackie served as a graduate teaching assistant in the Band Activities Department at BGSU, working closely with the Wind Symphony, Concert Band, University Band, and Falcon Marching Band.
She has studied clarinet with Kevin Schempf and conducting with Eugene Migliaro Corporon, Dennis Fisher, Nicholas Williams, Ken Thompson, Bruce Moss, Carol Hayward, Emily Freeman Brown, and John Knight. She has written two articles for the most recent installment of the Teaching Music Through Performance in Bandseries (Volume 11), published by GIA. Her dissertation research on recent symphonies written for the wind band was presented in March 2018 at the southwest division conference of the College Band Directors National Association in Houston, Texas. In May 2018, Jackie was awarded Outstanding Graduate Student in Wind Studies from the University of North Texas. Dr. Townsend is active in the College Band Directors National Association, the College Music Society, and the National Band Association, and has presented at the Ohio Music Education Association Professional Development Conference. She currently resides with her two crazy cats (Calypso and Abby) and when not on the podium or in the classroom, she enjoys cooking, hiking.
Jazz Band Leader
USM Associate Professor of Music/Director of Jazz Studies
Chris Oberholtzer –
Dr. Christopher Oberholtzer, Director of Jazz Studies at the University of Southern Maine, completed his Doctor of Arts degree in Trombone Performance/Pedagogy with a Secondary Emphasis in Jazz Pedagogy at the University of Northern Colorado, Greeley. Chris earned his Master of Music degree in Jazz Studies with a Cognate Field of Trombone Performance from Indiana University, Bloomington, and his Bachelor of Arts in Music Education from the University of Southern Maine, Gorham.
As a professor and director of jazz studies at USM, Chris leads a thriving program which is recognized as being one of the leading college jazz programs in New England. In addition to his USM teaching responsibilities, Chris also enjoys actively serving throughout the country as a guest artist, director and/or clinician for numerous high school and college jazz ensembles, including All-State and Honors Festivals in Colorado, Florida, Maine, Massachusetts, Minnesota, New Hampshire, New York and Vermont. Other major appearances include those at universities such as the University of Northern Colorado, Brevard College (North Carolina), Ball State University, Eastern Washington University and Utah State University. Chris’ performance credits also include international festivals such as the (Newport) JVC Jazz Festival, the New Orleans Jazz and Heritage Festival and the Montreal Jazz Festival.
Chris maintains a busy schedule as a professional freelance trombonist. He has performed, toured and recorded throughout the country and abroad with many groups in varying classical, jazz and commercial genres. His playing experience includes touring with the Artie Shaw Orchestra, the Guy Lombardo Orchestra, Ringling Brothers Circus, Toni Tenille the Capitol Jazz Orchestra and Holland America cruise lines. Other performing credits include working with artists and/or bands such as the Smithsonian Jazz Masterworks Orchestra, the Dorsey Brothers Orchestra, the Benny Goodman Orchestra, Tony Bennett, Claudio Roditi, Wayne Bergeron, the New York Voices, Conrad Herwig, Brian Lynch, Byron Stripling, Phil Wilson, Wycliff Gordon, Ronie Cuber, Frank Wess, Bob Mintzer, Herb Pomeroy, Richie Cole, Dick Johnson, Aaron Neville, Roberta Flack and the Temptations.
Serving as Musical Director of the Portland Jazz Orchestra, Chris is quite busy with the details of leading a regionally active big band. The Portland Jazz Orchestra is a contemporary big band staffed by jazz professionals, many of whom are also music educators, from the northern New England area. Playing music from theclassic libraries of the Count Basie Orchestra, the Duke Ellington Orchestra and the Woody Herman Orchestra, the PJO also enjoys performing more contemporary big band literature from prominent writers such as Gordon Goodwin, Ton Kubis and Maria Schneider. In addition, the PJO focuses on performing original compositions and arrangements written by its own band members. Many of these compositions are published and are highly regarded on a national level.
As a clinician for the United Musical Instrument/Selmer Corporation, Chris performs on Bach trombones.
Rachael Barter received her B.M. in Music Education from the University of Southern Maine in 2001, and studied at Strathclyde University in Glasgow, Scotland. During her years at USM, Rachael studied with Jean Rosenblum, attended/participated in masterclasses with Doriot Dwyer, Alexa Still, Robert Dick, James Galway, Elizabeth Rowe, and the Boxwood Festival with Chris Norman in Lunenburg, Nova Scotia. She is a regional freelance performer, soloist and chamber musician. Rachael has been a judge in district festivals, the Kotzschmar Memorial Fund Scholarship, a coach with the Southern Maine Music Academy, a participant in the National Flute Convention in New York City, and performer in the Metropolitan Flute Orchestra at New England Conservatory.
Mrs. Barter holds a full studio at her home- her students hold positions in District Festivals, the Portland Youth Wind Ensemble, and Allstate Music Festivals. She currently resides in Kennebunk with her husband and two daughters.
USM Artist Faculty in Oboe
Neil Boyer is instructor of oboe at the University of Southern Maine and former Principal Oboe in the Portland Symphony Orchestra. Mr. Boyer received his Bachelor of Music degree at the Mannes College of Music and then continued his education at the State University of New York at Stony Brook where he was awarded the Master of Music degree. His principal oboe teachers have been Mark Lifschey, Lois Wann, and Ronald Roseman.
Mr. Boyer has served on the faculties of Dartmouth College, Bowdoin College, Bates College, and the University of Vermont, and is the former director of the Green Mountain Summer Music School in Poultney, Vermont. His students are serving in orchestras, as soloists, and as faculty throughout the country.
Mr. Boyer has an extensive performance background. As a soloist he has presented oboe recitals throughout New England and has appeared as soloist with the Portland Symphony Orchestra, the Vermont Symphony Orchestra, the Dartmouth Symphony and the Hanover Chamber Orchestra.
Sax Coach/Instrument Repair
Sean Diette is currently the instrumental music teacher for grades 5-12 in Washburn, Maine. Originally a native of Newport, Vermont, he has lived in Maine since 1999. He and his wife currently live in the town of Woodland, in Aroostook County. Sean graduated from the University of Southern Maine School of Music in 2004 wih bachelor's degrees in Music Education and in Saxophone Performance. Sean is also the assistant cross-country running coach and the head track and field coach at Washburn High School.
USM Artist Faculty in Harp
Jara Goodrich is principal harpist with the Portland Symphony Orchestra, Bangor Symphony Orchestra, Portland Opera Repertory Theatre,Portland Ballet, and Maine Music Society. Jara began her study of the harp at age nine at the Salzedo School in Camden, Maine, studying with Carlos Salzedo until his death. She continued her studies at the Cleveland Institute of Music under Alice Chalifoux, then principal harpist with the Cleveland Orchestra. Jara has performed with the North Carolina Symphony, Cleveland Playhouse, Goldovsky Opera Theatre, Cleveland Orchestra Chorus, CBS Sunday Morning, Morning Pro Musica, and Bay Chamber Concerts. She has performed under numerous conductors including James Levine, Hugh Wolf, and Robert Shaw. Jara's current performance venues include solo, chamber music, orchestral, recitals, weddings, receptions, and parties.
Jara is on the faculties of the University of Southern Maine, Bates College, Portland Conservatory, ASTA Summer String Conference, Camp Encore-Coda, and coaches members of the USM/Fleet Youth Ensembles. She has students from age eight adult, from Presque Isle to Kennebunkport. She conducts the Maine Harp Ensembles, and often combines teaching with performing in her travels.
Horn Coach / Dorm Counselor
Heather attended Plymouth State University where she received her Bachelor of Science in Music Education on trumpet. After teaching in New Hampshire, she returned to Maine to the University of Southern Maine where she attained a Masters in Music Performance on horn under the direction of John Boden.
Heather currently lives in Sanford where she teaches elementary classroom music, is Assistant Director and Brass Coach of the Sanford Marching Band, teaches Marching Cymbal Line for Sanford ("Impact") Winter Percussion, and also gives private lessons in her spare time.
A regular musician with the Casco Bay Wind Symphony, Heather has also performed with the Medomack Conductor's Retreat Orchestra, the SNHU Wind Symphony and SNHU Orchestra, the Never's 2nd Regiment Band, the Back Cove Contemporary Music Festival, and the AMC Mountains and Music Festival Orchestra.
Heather attended SoMMA in 2004 and 2005, and is incredibly happy to be part of the camp that helped her gain confidence and musicianship as a young musician.
Trumpet Coach / Dorm Counselor
Matthew Lagarde received his Bachelors of Music Education from the University of Southern Maine, and received his Masters in Trumpet Performance from Boston University. His main teachers included Betty Rines, Trent Austin, and Terry Everson.
Matthew just finished his 6th year as the high school and middle school Band Director, and middle school Chorus Director in Somersworth New Hampshire. The music program has grown to now include multiple jazz ensembles in the middle and high school, select choir in the middle school, and a young and flourishing High School Marching band. Outside of school, Matthew has taught in some summer programs. He spent a number of summers with the drum and bugle corps Boston Crusaders and 7th Regiment. He was assistant to Terry Everson at the Boston University Tanglewood Institute, and has been the trumpet instructor at the Southern Maine Music Academy for a number of years.
Along with university ensembles at University of Southern Maine, and Boston University, Matthew has performed with groups such as the Portland Jazz Orchestra, Maine State Music Theatre, the New England Brass Band, the Ogunquit Playhouse, and the Tanglewood Music Center. He is currently performing as a freelance trumpet player, mostly around Portland, Maine. You can also see him perform frequently with the enormous and unique band, The Fogcutters.
Flute Coach / Dorm Counselor
Nicole J. Rawding, a musician based out of Portland, Maine is a collaborative artist, a private teacher and an avid performer. She attended the University of Southern Maine's School of Music, where she studied Music Education, Flute Performance and Vocal Education.
Nicole has participated in numerous master classes with world-renowned flutists such as: Emmanuel Pahud, Alexa Still, Ransom Wilson, Robert Dick and the late Louis Moyse. She has performed Cecile Chaminade's Concertino for flute and orchestra with the Southern Maine Symphony Orchestra, plays in the Casco Bay Concert Band and maintains a private flute studio. She teaches at the Southern Maine Music Academy (SoMMA) summer camp and has played with the Maine Music Society and the Bangor Symphony.
A versatile musician, Nicole moonlights as a progressive rock flutist. She has played and recorded with local bands The Baltic Sea, Phantom Buffalo, and Sunrunner.
As a Mezzo-Soprano, Nicole is still getting her feet wet. She has played the role of Prince Orlofsky in USM's production of Die Fledermaus and appeared as the alto soloist in Mozart's Requiem - performed with the Southern Maine Symphony Orchestra and Northshore Philharmonic. In the summer of 2011, Nicole sang the national anthem at Portland's Hadlock field for the Seadogs.
Other roles include "the Baker's Wife" in Into the Woods at Schoolhouse Center for the Arts and the sultry "Lilly McBain" in Biddeford City Theater's production of Swingtime Canteen!. Nicole has sang with the Casco Bay Concert Band in their 2010 and 2011 seasons.
Current musical endeavors set Nicole on the acoustic scene, dabbling in songwriting and collaborating with local musicians. And, as always, finding friends who will play Jethro Tull and the Moody Blues tunes with her.
Emily Pitzi Schaefer, flute coach / dorm counselor
Maria Wagner has a varied career as a performer and private instructor in Portland, Maine. As a classically trained clarinetist, she has performed with the Portland Symphony Orchestra, the Bangor Symphony Orchestra, the PORTopera Orchestra, the Portland Ballet Orchestra, the Portland Chamber Music Festival Orchestra, Maine Pro Musica, and more. In addition to orchestral performance, Maria specializes in the performance of new solo and chamber music and is passionate about interpreting brand new works. She has premiered pieces for the clarinet and bass clarinet in Portland and New York City.
Maria holds a Masters of Music in Performance from the University of Southern Maine, where she studied clarinet, bass clarinet, and e-flat clarinet and pedagogy with Dr. Thomas Parchman. She also completed her undergraduate study at USM and was a recipient of the Bay Chamber Competition's Summer Music Woodwind Solo Prize. Other influential teachers include New York clarinetist Jo-Ann Sternberg, oboist and chamber music coach Neil Boyer, and renowned conductor Dr. Peter Martin.
Alongside her career as a classical musician, Maria studies classical and folk music from the Middle East including the art of taqsim (improvisation) and the Middle Eastern maqamat (melodic modes) with master Armenian oudist and clarinetist Malcolm Barsamian and Middle Eastern percussionist Eric LaPerna. She has performed with Okbari Middle Eastern Ensemble, and is a founding member of Zapion in which she plays clarinet and the Arabic nay flute.
Maria maintains a vibrant private teaching studio in the greater Portland, ME area. Many of her students are members of the Portland Youth Wind Ensemble and are regularly accepted into Maine's district and All-State festivals, as well as go on to major in music. FMI: www.mariawagnerclarinet.com
Low Brass Coach
USM Artist Faculty in Tuba and Euphonium
Mr. Jobey Wilson, tubist, has entertained audiences all over the world with his charismatically unique style. Raised on a golf course in Broken Arrow, OK, this championship golfer retired his clubs at the age of 17 and flew to Chicago to join the Cavaliers Drum and Bugle Corps. After completing his BM at the University of Oklahoma under Ted L. Cox, the proud "Sooner" moved northeast to refine his skills under the legendary Chester Schmitz of the Boston Symphony Orchestra. In 2001, Jobey earned his Master’s degree from New England Conservatory and has since served as principal tubist of the Lexington Symphony, Atlantic Symphony and the New Bedford Symphony. He has also performed with the Boston Pops, Boston Ballet, Boston Philharmonic, Portland Symphony, Vermont Symphony, Albany Symphony (NY), Rhode Island Philharmonic, New World Symphony (FL), and the Tanglewood Music Center Orchestra. Wilson has performed under such world-class conductors as Seiji Ozawa, Michael Tilson Thomas, Keith Lockhart, Stanislaw Skrowaczewski, James Conlon, Roberto Abbado, Michael Stern and Gunther Schuller.
In addition to his position as Artist Faculty in the USM School of Music, Wilson is also Adjunct Professor of Music/Low Brass at Boston College and the Low Brass and Chamber Music Coach for the Boston Youth Symphony Orchestras. After spending six summers teaching for Boston University's famed Tanglewood Institute, Jobey started his own Summer Brass Institute; now in residence at Boston College. Wilson currently pursues his Doctorate at Boston University under Mike Roylance of the Boston Symphony Orchestra. He studied with the late Abe Torchinsky of the Philadelphia Orchestra during two summers at the Aspen Music Festival and also worked with Alan Baer, Ron Bishop, Warren Deck, Matthew Good, Christopher Olka, J. Samuel Pilafian, Daniel Perantoni, John Rojak and Norman Bolter.
Percussion Coach / Dorm Counselor
"Will Wohler has been involved in music since he was young, giving him a variety of musical opportunities. After high school, Will studied percussion with Nancy Smith of the PSO at the University of Southern Maine; where he earned his Bachelors of Music degree in Music Education. He is an active member of the Casco Bay Wind Symphony percussion section and a freelance musician, having played in various groups in the southern Maine area.
Will is a portrait photographer, and having taught music in public schools, he strongly believes in music and its impact on students as they grow and develop into adults, and advocates for school music programs."
Kellie Moody, accompanist / dorm counselor
Benjamin Potvin, camp director
Benjamin Potvin attended the University of Southern Maine School of Music, where he would earn a bachelors and Masters in Music Education, with an additional certificate in composition. Mr. Potvin first taught K-12 music in Ashland, ME before moving to Woodstock, VT where he taught middle/high school instrumental music. In Vermont, he was active at the district level, acting as the District VI Secretary and Concert Band manager. At the state and regional level, Mr. Potvin hosted the 2009 VMEA State Conference and also served on the Band Committee for the New England Music Festival Association. In 2010, Mr. Potvin was selected as The Outstanding New Music Educator for the state of Vermont. Mr. Potvin returned to Maine in 2011 to be the instrumental music teacher at Kennebunk High School. From 2011 until 2016 he served as the Band Vice President for the Maine Music Educators Association. In 2016 he was voted to be president-elect for this organization. Benjamin is the Director of the Southern Maine Music Academy (SoMMA) on the USM campus and is thrilled to work with talented high school youth every July. Mr. Potvin has played sax/clarinet with several professional ensembles including the Dartmouth Wind Symphony, East Bay Jazz Ensemble, and the Casco Bay Wind Symphony. He has served as a festival adjudicator and district conductor in Maine and New Hampshire Benjamin resides in Kennebunk, ME with his choral director husband, Nate Menifield, and their rambunctious dog Toby.
noon – 1:30pm Registration/Dorm Checkin (Upper Class Hall) / Auditions (Corthell Hall)
2:30 – 3:00pm All Academy Meeting – Corthell Concert Hall
3:00 – 4:00pm Jazz Ensemble Rehearsal/Chamber Music
4:15 – 5:30pm Concert Band Sectionals
5:45 – 6:45pm Dinner
7:00 – 8:00pm Get acquainted session
8:00 – 9:30pm Practice, unpack, etc.
9:30 – 10:30pm Floor Meeting / Dorm Meeting
10:30pm In your Room
11:00pm Lights Out
7:00 – 7:45am Breakfast (Commuter program starts at 8am and includes lunch/dinner)
8:00 – 8:30am Warm-up ( Brass - 212; Percussion / Harps - 320; Woodwinds - 112)
8:35 – 9:50 Concert Band – Room 329
10 – 11:15am Jazz Ensemble / Chamber Music
11:30 – 12:20pm Perspectives in Music – Concert Hall
12:30 – 1:15pm Lunch
1:30 – 2:30pm Concert Band Sectionals
2:30 – 3:00pm Break
3:00 – 4:05pm Concert Band
4:15 – 5:15pm Jazz Ensemble/Chamber Music
5:15 – 6:15pm Dinner
6:15 – 7:45pm Practice/Recital Preparation/A cappella Group/etc.
8:00 – 9:30pm Evening Programs
10:15pm On your own floor
10:30pm In your Room
11:00pm Lights Out
WEDNESDAY SCHEDULE - Campers will be on a beach trip from 11:30 – 5:30; the Faculty
Concert is at 7pm rather than 8 pm to leave room for the Camp Dance.
8:45 1 st Bus to Gorham High School (front of Bailey) Letters A-G with Sean
9:00 2 nd Bus to Gorham High School (front of Bailey) Letters H-Z with Maria
9:30 – 10:30am Concert Band Dress Rehearsal (buses return to USM after rehearsal)
10:30 – 11:15 Jazz Band Dress Rehearsal (bus returns to USM after rehearsal)
10:45 – 1:00 Changing for Concert, Packing, and Dorm Check Out
NOTE: Campers may leave with their parents for lunch after signing out,
but must be at Gorham High School no later than 1:20 in concert attire.
11 – 12:30 Lunch in the dining hall (for those campers who are staying)
1:15 Final bus to Gorham High School from Upper Class Hall
1:30 Attendance is taken at Gorham High School Band Room
2:00pm Final Concert (McCormack Performing Arts Center)
Optional - Private Lessons:
Optional private lessons are available for an additional charge of $40.00 per hour. Separate checks should be made out directly to the faculty member responsible for the lessons. Lessons should be requested prior to the start of the academy.
Flute – Krysia Tripp
Oboe – Neil Boyer
Clarinet – Thomas Parchman
Trumpet – Betty Rines
Horn – John Boden
Tuba/Euphonium – Jobey Wilson
Percussion – Nancy Smith
Jazz Percussion – Les Harris Jr.
Conducting – Dr. Trae Blanco
Composition – Daniel Sonenberg
Upon arrival to camp, all students go through an audition process. Ensemble seating and placement is based upon this initial audition, but it also allows the instructor to know what the section’s strengths are and what needs to be worked on through out the week.
Concert Band Audition:
Demonstrate a major/chromatic scales over the range of the instrument
Play a prepared etude or section of a larger piece to demonstrate musical ability
Perform a short sight reading excerpt
Jazz Band Audition:
Prepare any jazz tune you like. These can be selected from one of the Jazz All-State pieces, a jazz standard or some of your music from jazz band (a difficult section part is OK).
If you wish to improvise, you can play over Bb or F blues. A play-along recording will be provided.
* Students who are interested can select to be considered for the student solo recital night. Faculty members choose the best soloists from all the auditions to perform on Thursday night for the camp. Soloists will be informed the first day of camp of their selection and will have time to rehearse with a SoMMA provided accompanist. PLEASE HAVE ORIGINAL SCORES FOR THE ACCOMPANIST, no photocopies.
FAQ: Frequently asked questions (a different page)
Return to the Southern Maine Music Academy main page.
Join the SoMMA Facebook Group and start making friends right away!