By Jeanne Marie Beaumont
A final wave from my board as I await the “Dancers, put on your shoes” opening.
It may have been one of the craziest things I had ever done. The week before I was to leave for the Stonecoast summer residency, I enrolled myself in an intensive tap workshop, as part of Tap City, and I also signed on to perform Tap It Out in Times Square. I would be adding my two feet to the chorus of some 300 others in, as the press release states, “a pre-choreographed orchestral collage of a cappella unison rhythms, contrapuntal sequences, individual riffs, movements and grooves . . . that promotes tap dance as pure music.”
What that meant in terms of time was that I was signing up for more than 25 hours of tapping, including class, practices, rehearsals, and four performances, during the week of July 8th. My morning workshop class was with a teacher who has a reputation for toughness, one whom I had found demanding and a bit intimidating in the past. Yet I knew that she had a lot to teach me and that I had a lot to learn.