Tony Barnstone (Poetry, Translation) is The Albert Upton Professor of English at Whittier College and the author of 12 books. He has a Masters in English and Creative Writing and Ph.D. in English Literature from the University of California at Berkeley. His books of poetry include Tongue of War: From Pearl Harbor to Nagasaki, winner of the John Ciardi Prize in Poetry (BKMK Press. 2009),and The Golem of Los Angeles, which won the the Poets Prize and the Benjamin Saltman Award in Poetry (Red Hen Press, 2008), He is also a distinguished translator of Chinese poetry and literary prose and an editor of literary textbooks. Among his awards are the Grand Prize of the Strokestown International Poetry Festival and a Pushcart Prize in Poetry, as well as fellowships from the National Endowment for the Arts and the California Arts Council. Born in Middletown, Connecticut, and raised in Bloomington, Indiana, Barnstone has lived in Greece, Spain, Kenya and China and is deeply interested in international poetry and poetics. In addition, Barnstone has in recent years been deeply involved in multimedia work. He is also involved in a poetry/art collaborations with the artists Alexandra Eldridge and with artist Dorothy Tunnell he is writing a poetry graphic novel.
Jeanne Marie Beaumont (Poetry) won the National Poetry Series for her first book, Placebo Effects, selected by William Matthews and published by W.W. Norton in 1997. Her other collections of poems are Curious Conduct and Burning of the Three Fires, both from BOA Editions. With Claudia Carlson, she co-edited the anthology The Poets’ Grimm: Twentieth Century Poems from Grimm Fairy Tales (Story Line Press, 2003). She has been awarded the Dana Award for Poetry and the Greensboro ReviewPrize, and from 1992 to 2000, she coedited the literary magazine American Letters & Commentary. Jeannie earned an MFA from Columbia University and has taught at Rutgers University and at The Frost Place, where she served as director of the Frost Place Seminar from 2007-2010. She also teaches at The Unterberg Poetry Center of the 92nd Street Y in New York City.
Ted Deppe (Poetry, Coordinator of Stonecoast in Irelaned) was born in Duluth, Minnesota, and presently lives in County Galway, Ireland. He is the author of four books of poetry: Children of the Air(Alice James Books, 1990), The Wanderer King (Alice James, 1996), Cape Clear: New and Selected Poems (Salmon Books, Ireland, 2002), and Orpheus on the Red Line (Tupelo Press, 2009). His poetry has been published widely on both sides of the Atlantic, and his work has been recognized by a Pushcart Prize, two NEA grants, and fellowships from the Massachusetts Cultural Commission and the Connecticut Council on the Arts. He has been writer in residence at the James Merrill House in Stonington, CT, the Poets’ House in Donegal, Ireland, and Phillips Academy in Andover, Massachusetts. Ted is the coordinator of the Stonecoast in Ireland program.
Debra Marquart (Creative Nonfiction, Poetry) is a professor of English in the MFA Program in Creative Writing and Environment at Iowa State University. In addition, her books include two poetry collections, From Sweetness (Pearl Editions, 2002) andEverything’s a Verb (New Rivers Press, 1995), and a short story collection, The Hunger Bone: Rock & Roll Stories (New Rivers Press, 2001) which draws on her experiences as a road musician. Marquart is a member of The Bone People, a jazz-poetry, rhythm & blues project, with whom she has released two CDs: Orange Parade and A Regular Dervish. Marquart’s memoir, The Horizontal World: Growing Up Wild in the Middle of Nowhere (Counterpoint Books, 2006) was awarded the 2007 PEN USA Creative Nonfiction Award. Deb's work has also received a Pushcart Prize, the Shelby Foote Nonfiction Prize from the Faulkner Society, the Headwaters Prize, the Minnesota Voices Award from New Rivers Press, the Elle Lettres Award from Elle Magazine, the Mid-American Review Nonfiction Award, the John Guyon Nonfiction Award from Crab Orchard Review, and a National Endowment for the Arts Prose Fellowship. Deb is at work on two books: a novel, set in Greece, titled Among the Ruins; and a roots/travel memoir about her grandparents’ flight from Russia, titled Somewhere Else This Time Tomorrow.
David Mura (Creative Nonfiction, Fiction, Poetry) is a creative nonfiction writer, poet, fiction writer, critic, playwright and performance artist. Mura has written two memoirs: Turning Japanese: Memoirs of a Sansei (Grove-Atlantic), which won a 1991 Josephine Miles Book Award from the Oakland PEN and was listed in the New York Times Notable Books of Year, and Where the Body Meets Memory: An Odyssey of Race, Sexuality and Identity (Anchor). His three books of poetry are Angels for the Burning (Boa), The Colors of Desire (Anchor, Carl Sandburg Literary Award), and, After We Lost Our Way (Carnegie Mellon), which won the 1989 National Poetry Series Contest. His book of critical essays is Song for Uncle Tom, Tonto & Mr. Moto: Poetry & Identity (U. of Michigan Press). His novel, Famous Suicides of the Japanese Empire, a finalist for the Minnesota Book Award, the John Gardner Fiction Prize and Virginia Commonwealth University Cabell First Novelist Award, was published in Sept. 2008 from Coffee House Press. Mura's essays on race and multiculturalism have appeared in Mother Jones and The New York Times. His plays include Secret Colors (with novelist Alexs Pate),The Winged Seed, adapted from Li-Young Lee's memoir, and After Hours (with actor Kelvin Han Yee and pianist Jon Jang).
Alexandra Oliver was born in Vancouver, Canada. Since emerging onto the Vancouver poetry scene in 1992 and being named the following year as one of the Top Ten Young Artists of the year by The Vancouver Sun, she has performed her poems at places as diverse as Lollapalooza, The National Poetry Slam, the CBC Radio National Poetry Face-Off, the West Chester Poetry Conference, the Bowery Poetry Club in New York, and the Italian Contemporary Film Festival in Toronto. Her work has been featured on CBC Radio and National Public Radio, as well as in the 1998 documentary Slam Nation. Her publication credits include appearances in numerous journals and publications worldwide, and her first book, Where the English Housewife Shines, was released in 2007 from Tin Press, London, UK. A second collection, Meeting the Tormentors in Safeway, is forthcoming from Bibioasis in 2013. She is also co-editing (with Annie Finch) an anthology of metrical poetry. Oliver has taught poetry and led workshops in high schools, colleges, libraries, cultural organizations and prisons, and was one of the Directors of the Edgewise Electrolit Centre, an organization created to promote Canadian poetry and new poets through the use of new media. Her interests include form, ekphrasis, translation, performance, and creating poetry syllabi for ESL speakers, seniors, victims of violence, and at-risk youth. Alexandra divides her time between Toronto, Canada, and Glasgow, Scotland, where she teaches poetry through the Govan and Craigton Integration Network. She holds an M.F.A. in Creative Writing from Stonecoast and an M.A. in Drama/Cinema Studies from the University of Toronto.
Alexs Pate (Fiction, Poetry) is the author of five novels including the New York Times Bestseller Amistad, commissioned by Steven Spielberg’s Dreamworks/SKG and based on the screenplay by David Franzoni. Other novels include Losing Absalom, Finding Makeba, The Multicultiboho Sideshow and West of Rehoboth, which was selected as “Honor Fiction Book” for 2002 by the Black Caucus of the American Library Association. Alexs’s first book of nonfiction, In The Heart of the Beat: The Poetry of Rap was published by Scarecrow Press January 2010. His memoir, The Past is Perfect: Memoir of a Father/Son Reunion will be published next year by Coffee House Press. An excerpt of the memoir appears in the Fall 2007 edition of Black Renaissance Noire. Alexs’s poetry collection,Innocent, was published in 1998. Alexs is an Assistant Professor in African American and African Studies at the University of Minnesota, where he teaches courses in writing and black literature, including a course on “The Poetry of Rap.” He is currently at work on two novels,The Slide and a story about a black pirate captain, Adventures of the Black Arrow: Search for Libertalia.
Timothy Seibles (Poetry) is the author of five books of poetry:Body Moves, Hurdy-Gurdy, Kerosene, Ten Miles an Hour, and Hammerlock. His work has been featured in Red Brick Review, New Letters, Dark Eros, Ploughshares, New England Review, The Artful Dodge and the anthology In Search of Color Everywhere,and he is the recipient of a fellowship from the Fine Arts Work Center in Provincetown, Massachusetts. Born in Philadelphia, he earned a BA from Southern Methodist University in Dallas, and an M.F.A. from Vermont College. He taught high school English for ten years and worked as Writing Coordinator of the Fine Arts Work Center. He has taught at Cave Canem and is Associate Professor of English at Old Dominion University.